That Floating Poo Was Way Too Meaningful! These Are the Television Disappointments of the Past Year.

As we reflect on the television landscape of the recent year, a handful of series stand out not for their excellence, but for their spectacular failures. From cringe-inducing spin-offs to confusingly bad docuseries, here are the productions that left us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Burdened with woeful writing, painful character development (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to justify its existence. For a moment, as the third series began, it looked like it had finally found its groove. Then came an installment all about Seema’s natural deodorant. No wonder the creator declared this would be the final series. It ended on a bum note; the lingering shot of Miranda’s toilet full of poo was just way too on-the-nose. Still, fans certainly found joy dissecting every single “what on earth?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who couldn't release a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the smallest of this drama's issues. The subject of a exceedingly uncommon no-star assessment, it was hard to know where to start enumerating the problems. The laughably wooden dialogue? The tedious veneration of affluence and consumption? The seemingly deliberate procession of tropes? Performances so bad they felt borderline malicious? Let’s just say “all of the above” and never speak of this show again. Except, a second season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, domestic violence claims and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have known it from this three-part documentary which chuckled along at Sheen’s various bouts of self-destructive hedonism while failing to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any sympathy this show might induce should be saved for the people who have had to endure proximity with this charming but flippant narcissist.

The Iris Affair

Naturally we knew it was preposterous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy characters convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge unconvincing accents. But there were many other issues. Primarily that it was just really boring; a dispute over drug-selling territory between various cockney rogues which seemed rather simplistic.

With Love, Meghan

Given the extent to which she grinds the gears of certain performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised ventures into twee homemaking as intentional provocations. But then you view them and are compelled to admit that actually, they might have a point. It’s like watching a homeware magazine animated; a meme for evening drinks with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, sentimental platitudes and forgettable crafting “hacks” you’ll forget instantly. All supported by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be said about both Victoria Beckham and her struggles with career, self-image, self-acceptance. But for whatever reason, this documentary series opted not to explore them. Rather, the experience was akin to reading a sales brochure. She clearly has every right to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this cagey letdown of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a glamorous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you want? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s still too confusing to explain what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a production that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of famous friends involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd recruitment of gifted emerging comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The writing room sketches, in contrast, simply inspired the thought that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled with care. Instead, the series laboured awkwardly to find the right tone, lurching from strangely breezy, somewhat mannered farce to ultimately, real-life horror. Complex? Arguably. A total mess? Absolutely.

The Maths Genius Thriller

We admire the star … but did we believe him playing the greatest maths genius since, a man so smart he’s on the verge of a discovery that could ruin society? Nope! This international thriller about government agencies spying on – and killing off – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for explicit escapades as she undertook her most extreme feat yet. What on earth would motivate her? What we wanted was way more interrogation of her true psychology, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to drag her son away from the queue. What we got was horrific imagery and absolutely no interrogation of her infamy whatsoever. And to think, the documentary-maker has a young daughter too.

Heather Davis
Heather Davis

Elena Vargas es una periodista especializada en asuntos sociales y políticos, con más de una década de experiencia en medios digitales.